PL

Sylwia Krzysiek


Soprano

She graduated from the State Music Higher School in Kielce at the Department of Rhythmics. She has also received a diploma in the field of solo singing at the Vocal Department of the Fryderyk Chopin Academy of Music in Warsaw.

She actively participates in operatic performances and numerous concerts in Poland and abroad,  particulary very often in Italy. She constantly cooperates with the Warsaw Chamber Opera performing the leading roles. The most prestigious achievements of Sylwia Krzysiek include: qualifying to the group of finalists of the International Opera of Young Singers Klassik Mania in Vienna (2005), Scholarship XXV Concorso Lirico Internazionale in Italy (2010) and two main prizes as part of this competition - in 2008: 1st prize in the singing category and 2nd prize in opera category, and in 2011: 3rd prize.

With a warm, lyrical voice colour and excellent performance precision, she successfully performs works from baroque to contemporary music, each time winning the recognition of international critics and the enthusiastic reception from the audience.

In her career, she collaborated with conductors such as: Alain Guingal, Marco Vitale, Vladimir Kiradijev, Marcin Sompoliński, Ruben Silva, Zbigniew Graca, Tadeusz Karolak. She performed on the stages of the Teatro Massimo di Palermo, the Teatro dell'Opera di Roma, the Warsaw Chamber Opera, the Opera na Zamku in Szczecin and the Teatr Wielki in Łódź, as well as within Varano Festival - Italy, Recital Circolo della Lirica, Sounds of Art in Warsaw, Musicum Forum in Wroclaw, International Music Festival in Koszalin, XIX International Festival of Sacred Music in Częstochowa and many other projects.

 

 

Sylwia Krzysiek as Constanze, W.A. Mozart Die Entführung aus dem Serail, Warsaw Chamber Opera

Sylwia Krzysiek, Manon Jules Massenet, Gavotte Obéissons quand leur voix appelle, Sounds of Art,
National Museum in Warsaw, piano: Paweł Sommer

 


The operatic Constance was elegant and charming. First she recalled her lost love (act 1), then she swore that she was ready to endure the torments, so as not to yield to the whims of Selim's bastion (II act) - that is, singing and singing, and her singing in "Die Entführung aus dem Serail" belongs to the longest in all operatic literature! Sylwia Krzysiek is slowly becoming the leading soprano of this theater; here she stylishly charmed with modulated phrase and vocal proficiency, and there was no lack of affection.
/M. Komorowska, www.teatralny.pl, "Ubawić Mozartem", 18  maja 2018/


Prepared opera parts:

J. B. Lully, Armide: Phénice

J. Ph. Rameau, Pygmalion: Statue Anime

G. F. Händel, Rinaldo HWV 7: Armida

G. F. Händel, Alcina HWV 34: the title role

W. A. Mozart, Die Zauberflöte KV 620: Pamina, First Lady

W. A. Mozart, Die Entführung aus dem Serail KV 384: Constanze

W. A. Mozart, Don Giovanni KV 527: Donna Anna

W. A. Mozart, Cosi fan tutte KV 588: Despina

W. A. Mozart, L'oca del Cairo KV 422: Lavina

W. A. Mozart, Le Nozze di Figaro KV 492: Susanna

W. A. Mozart, Der Schauspieldirektor KV 486: Madame Silberklang

G. Paisiello, Il Barbiere di Siviglia: Rosina

G. Rossini, Signor Bruschino: Sofia (Italy 2009)

G. Rossini, La Cenentrola: Clorinda

G. Rossini, Tancredi: Roggiero

G. Donizetti, L'elisir d'amore, Adina

G. Donizetti, Anna Bolena: the title role

C. M Weber, Der Freischütz: Ännchen

S. Moniuszko, The Haunted Manor, Hanna

G. Bizet, Carmen: Frasquita

G. Verdi, Un ballo in masquera: Oscar

G. Verdi, Falstaff: Nanetta

G. Charpentier, Louise: the title role

G. Puccini, La Bohème: Musetta

G. Puccini, La Rondine: Magda de Civry

J. Massenet, Manon: the title role (Italy 2010)

J. Massenet, Thais: the title role

R. Strauss, Der Rosenkavalier: Sophie

K. Szymanowski, King Roger: Roxana

E. Humperdinck, Hänsel und Gretel: Gretel

L. Gregoretti, N. Sani, Cenentrola.com: Cenentrola (Italy, premiere 2011)

and operetta:

F. Lehar, Giuditta: the title role

I. Kalman, Die Csárdásfürstin: Sylva

P. Abraham, Ball im Savoy, Madelaine

 

Oratorio and cantata repertoire:

G.B.Pergolesi, Stabat Mater

J. S. Bach, St Matthew Passion BWV 244

J. S. Bach, Magnificat BWV 243

J. S. Bach, Mass in B Minor BWV 232

J. S. Bach, Lutherische - Messe in A major, BWV 234

J. S. Bach, Jauchzet Gott in allen Landen BWV 51

J. S. Bach, Pfingstkantate, Also hat Gott die Welt geliebt BWV 68

J. S. Bach, Erwünschtes Freundlicht BWV 184

G. F. Händel, Messiah HWV 56

J. Haydn, The Creation Hob XXI/2

W. A. ​​Mozart, Ave verum corpus KV 618

W. A. ​​Mozart, Exsultate, jubilate KV 165

W. A. ​​Mozart, Coronation Mass in C major KV 317

W. A. ​​Mozart, Mass in C minor KV 427

W. A. ​​Mozart, Requiem in D minor, KV 626

L. van Beethoven, Missa solemnis in D major, Op. 123

F. Schubert, Mass in E flat major D.950

G. Rossini, Petite messe solennelle

G. Rossini, Stabat Mater

G. Fauré, Requiem in D minor, Op. 48

K.Szymanowki, Stabat Mater op. 53

K. Szymanowski, Litany to the Virgin Mary op.59

 

And song repertoire: W.A. Mozart, F. Schubert, R. Schumann, R. Wagner, H. Wolf, S. Rchmaninow, M. Rimski - Korsakow, G. Fauré, S. Moniuszko, F. Chopin, M. Karłowicz, K.Szymanowski, K.Wiłkomirski, W. Lutosławski, and S. Kisielewski

 

 

 

 

 

 

 

 

 

 

 

 

 

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Lakme-Art Foundation

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Grzegorz Bayer - President of the Foundation, Artistic Director: gbayer@fundacjalakme.pl 

+48 501 068 359

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+48 602 11 86 19

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+48 502 755 115

Jarosław Minkowski - Foundation Board Member, Business Customer Relations Director: jminkowski@fundacjalakme.pl

Agency: agency@fundacjalakme.pl 


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